Ayinde Bakare English (Q4831274)
Nigerian musician
Language | Label | Description | Also known as |
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British English | No label defined |
Nigerian musician |
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instrument English
Q258896 (Deleted Item)
Q61285 (Deleted Item)
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biography/Ayinde-Bakare
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/m/027s563
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Muziekweb performer ID English
M00000208465
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Prabook ID English
2612608
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Q96476291 (Deleted Item)
Q36981573 (Deleted Item)
Jùjú music English
Q963061 (Deleted Item)
1.51 http://www.wikidata.org/entity/Q11573
59 http://www.wikidata.org/entity/Q11570
Q17122705 (Deleted Item)
Q464953 (Deleted Item)
L485 (Deleted Lexeme)
58922b82-336a-4011-820a-6fabbf70ddf0
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Saibu Ayinde Bakare Ajikobi was born in 1912 at Okesuna Lafiaji area of Lagos to a soldier father. His father, Pa bakare was from Ajikobi Compound in Ilorin, Kwara State. He attended St. Mathias Catholic School, Lafiaji. Thereafter, he worked as an apprentice boatbuilder with the old Marine Department in Lagos. He began his foray into music after watching a band play at an engagement. He asked the band leader, Tunde King if he could be an apprentice with the band and was allowed by King to be a student. Bakare also played for an early juju exponent, Alabi Labilu. He began performing around 1935, and first recorded on the HMV label in 1937. One of his early juju tracks was Layinka Sapara, a praise song dedicated to the daughter of Oguntola Sapara, on the other side of the track was Ajibabi unlike Layinka was played with the more popular Sakara sound. Bakare formed a band which he later called Meranda after the film Miranda. The group started with four members (banjo ukulele, shekere, juju, vocals), but by 1949 had grown to seven members, and by 1959 to eight (electric guitar, shekere, juju, two varieties of conga (akuba and ogido), gangan, and two supporting vocalists). He is thought to have been the first juju musician to use an amplified guitar, in 1949, after switching to the guitar from the banjo ukulele. Bakare’s innovations established the mainstream style of juju music in Nigeria after World War II.